New Florida Georgia Line music is coming in August. The duo has announced that they will release their third studio albumn. Dig Your Roots, on August 26, with Big Machine Label Group
Crickets chirp and frogs croack before either memore of Florida Georgia Line is heard on their new Dig Your Roots album. It’s a sign that the 15 songs are unlike anything you’ve heard from them before.There’s depth, surprising depth. Dig Your Roots is a personal album that doesn’t dispose of the good times. They’re just quieter. Instead of all-night ragers that the whole neighborhood is invited to, Florida Georgia Line bring more memorable nights in. They’ve grown up, and it’s reflected on this personal project.
Some may find songs like “Lifer” and “Island” too personal. These are love songs recorded with Tyler Hubbard and Brian Kelley’s respective brides in mind. To criticize those means criticizing “Dig Your Roots” and “While He’s Still Around” — songs that name-check their respective fathers — and that’s a tougher sell. Both hit the heart hard in different ways. The title track is a jam that hooks fans in ways “H.O.L.Y.” and “Dirt” didn’t, but still delivers poignan- cy.
“While He’s Still Around” is a more subdued ballad that finds Kelley on the microphone, singing about his father and everything he’s learned. Fans of “May We All” will appreciate both of these songs.
It’s astounding how different Dig Your Roots is from FGL’s 2012 debut. Here’s to the Good Times was a one-dimensional project, and this album has more sides than Dungeons and Dragons dice. Ziggy Marley brings reggae flavor. The Backstreet Boys remind us what the early ‘00s sound like on the saccharine “God, Your Mama and Me.” “Heatwave” is just that, an exciting coda on an album that spends a lot of time in mid-tem- po land. “Smooth” (the aforementioned opening track) is a swampy country rocker that needs to be a single right now.
The evolution of Florida Georgia Line is fascinating. Had they tried to repeat the formula that made them head- liners, they wouldn’t have made it to album three. Kelley and Hubbard deserve credit for staying one step ahead of their fans and expectations.